Script Reader UK
"Fabulous … I will absorb and process this and do a second draft. Really useful and encouraging."
Julia Pascal
The Road to Paradise
"I found your report extremely encouraging and extremely useful. You’ve picked out pretty well everything I was trying to achieve, whilst pointing out some major issues that I felt needed addressing and wasn't quite sure how to deal with. Now I feel enthused to progress to the next stage."
Ian Fuller
Shakespeare’s Fools
"… a confident, well-written and organised report that benefits from good analytical work … you have clearly put in a lot of time and effort … intelligent and helpful."
The Script Factory
Script Reader
Scriptreader’s highly qualified team of consultants ranges from development executives to prize-winning screenwriters, who have trained as readers and script editors with Arista, the Script Factory and North by Northwest.
The team has accumulated years of industry experience developing scripts to a standard that attracts finance and top creative talent, on behalf of film agencies and production companies such as HandMade Films, Scott Free Productions, the BBC, the UK Film Council, Warp Films, Scottish Screen, Screen Yorkshire, Lolafilms, Ilion Animation, Brilliant Films, Material Entertainment and Wizja Le Cinema, as well as for countless individual producers and writers.
Recent projects as Script Consultant
Planet 51 by Joe Stillman (Shrek)
Mona Lisa (remake) by Larry Clark (Kids)
Emma’s War by Steven Knight (Eastern Promises)
Memoirs of Hadrian by Rospo Pallenberg
  (The Emerald Forest)
Eloise in Paris by Charles Shyer (Father of the Bride)
Vanishing Point (remake) by Richard Kelly
  (Donnie Darko)
The Healer by Agnieszka Holland (The Wire)
Elegance by Mimi Hare and Clare Naylor
  (The Accidental Husband)
LA Gothic by Jim Agnew and Sean Keller (Giallo)
The Garden of Eden by James Scott Linville
Dogs by Tom McCown (Heart of Dixie)
Love on the Murder Mile by Jonny Glynn
The Originals by Rupert Walters (Spooks)
We are also called upon to write script revisions, and to conceive original story ideas and treatments.
Recent projects as Script Editors/Writers/Co-Writers
The Long Good Friday (sequel), original story idea
  for HandMade Films
Genies, page one rewrite for Lolafilms
Primrose Day, revisions for Hart Films
The Originals, revisions for HandMade Films
The Veil, original screen story for Flaming
  Brain Productions
The principal aim of our feedback is to sustain enthusiasm and inspire writers and directors over successive drafts, whether in the form of phone consultations, broad story notes or line-by-line feedback. This responsibility demands screenwriting ability, diplomacy, an understanding of the development process from each perspective and a keen awareness of the market.